Rosetta Stone version 3 Overview of six years of t

Overview of six years of development of digital cinema world - ready to take off a good start

These digital projectors are entering post-production rooms,[link widoczny dla zalogowanych], with their digital dubbing and adding subtitles to get more in the post-production application, which is conducive to a more economical way to release more digital movies. Such as projectors, Christie DCP-H sold to the commercial independence of Singapore subtitles - Mega Film Company, the company intends to advance the state to promote digital cinema digital cinema distribution. Distribution of films with the digital format increasingly rising state of affairs, but also more secure. 2004 digitally released 53 films, compared to 2003 increased 18. Over the past five years, digital film distribution, the average growth rate of 78.4. From the May 1999 first commercial digital version of 2005 Jan-Apr 15 movies released in digital versions. 2004 Hollywood digital distribution of digital cinema digital cinema for 57 of the world, its growth rate was 30.4 digital film distribution, growth rate 4.5 higher than other areas. Digital film distribution in other parts of the peak in 2002 and 2003, while the peak of the release of Hollywood in 2003 and 2004, slightly lower in 2002. American film industry to guide the development trend of digital film, digital film distribution and the main supporters BuenaVista Warner. The two production companies can be described as a pioneer and pioneers: Since 1999, each issue of more than 30 digital movies, in 2004 the issue of 10 each. It is strange that Sony's leading digital projection technology, digital movie distribution company behind some of 2004, there is no output, but since 1999 only released 4; However, the branch has been more active in Brazil, launched the their projectors, but the lack of digital projection associated with this experience. Fox is also a leader in this field, only the 2004 figures released four movies. In other regions, Brazil a leading position in digital distribution have different distributors, including the number of developed areas from the company (such as Warner subsidiary in Brazil, Colombia and Brazil Fox affiliates and subsidiaries in Brazil), as well as local companies ( If Telecope, Lumi-ere, Riofilme), they are very active. References: DIGITALCINEMAYEARSIX, Theendofbeginning: prepar-ingforroll-out; ScreenDigest, London,[link widoczny dla zalogowanych], 2005,35 (4) :109-116. (Continued from page 32) Film completely changed the way we see the world, but also expanded our original perception of a single experience. U.S. director Steven Spielberg's film company named Indeed,[link widoczny dla zalogowanych], the film is that people for their own lives to create a Big screen interpretation of the story, always in between reality and illusion and the audience hide and seek. The introduction of computer creative artists for the film provides greater sway,[link widoczny dla zalogowanych], digital technology not only enriched the film artist's dreams means, but also to promote the film artists continue to explore new film language. This audience can watch the films more and exciting. From the perspective of film production, digital production tools have brought the rich, the production efficiency and production cost savings, but it is not all. Deeper sense, provides a human figure into the art of film from the realm of necessity with the golden key to the realm of freedom, provided thought the human imagination to the possibilities and ways to free ride. 【Reference】 [U.S.] Thomas A · Austria Han, Michael E · Phillips book, MOTION translation,[link widoczny dla zalogowanych], digital film production, China Film Press, 1998. Huang Xian-style editor, Film and Television into the 21st century, the China Film Press. Hao ice with theoretical Return - Recognition of the film imaging technology. Hao ice with digital special effects and visual authenticity. Chen Wo a rhinoceros, virtual reality and post-film theory. Li Huifeng forward, [United States] with Nick Brown, the history of film theory evaluation, the China Film Press, 1994. [Law] with Andre Bazin, the film is what?, China Film Press, 1987. Yu Shu, Hao a, virtual reality technology and resource loss. A 26

相关的主题文章：

[link widoczny dla zalogowanych]

[link widoczny dla zalogowanych]

[link widoczny dla zalogowanych]

The post has been approved 0 times